THE LATE MATTIA PASCAL - 1904
Chapter 14
MAX TURNS A TRICK
Uneasiness? No, nothing of the kind;
but a keen curiosity, and acurious
dread lest Papiano should be on the
verge of a humiliating failure! I
might have gloated over such a
prospect; but I didn't. Who can
escape a chill of mortification on
witnessing a comedy badly played by
actors who do not know their parts?
"One thing or the other," I
speculated: "Either he is deeper
than I thought, or he is walking
blindly into his own trap. In his
anxiety to keep Adriana for himself,
he has made the mistake of leaving
Bernaldez and Pepita, Adriana and
me, dissatisfied and therefore in a
position to catch him at his game
without any motive for calling it
amusing or worth our time. Most
likely Adriana will be the one to
find him out; she is nearest to him,
and is suspicious already. She will
be on her guard. She came here only
to be with me. I imagine she is
already asking herself why she
consents to aid and abet a farce
which is not only stupid in itself
but irreverent to religion and
discreditable to all who take part
in it. Bernaldez and Pepita must be
feeling the same way about it. How
is it a man as shrewd as Papiano
can't understand that--once he
failed to bring me and the Pantogada
girl together. Is he so sure of
himself as all that? How is he going
to save his face?"
Busied with all these reflections, I
had quite forgotten Silvia Caporale,
who now suddenly began to speak as
though she were in the first stages
of her trance.
"The chain..." said she. "the chain...
it must be altered!"
"Have we got Max already?" asked
dear old Anselmo concernedly.
The woman allowed some time to
elapse:
"Yes," she finally answered, in a
dreamy, hollow voice. "He says there
are too many of us here, this
evening..."
"That's true," exclaimed Papiano, "but
still I think we ought to be able to
manage..."
"Hush!" whispered Paleari. "Let's
hear what Max says!"
"The chain!" Miss Caporale resumed.
"The chain...! He finds it out of
balance. Here, on this side" (and
she raised my hand in hers) "there
are two women next to each other. He
says that Mr. Paleari should take
the place of Miss Pantogada and vice
versa...!"
"Easy to fix," cried Anselmo, rising
from his chair. "Here, signorina,
won't you have my chair?"
This time Pepita did not protest:
she could now hold hands with her
painter.
"Next," added the'medium,' "Signora
Candida might..."
Papiano interrupted:
"I have it--in Adriana's place, eh?
The same thing had occurred to me!
Let's try it that way!"
The moment I found Adriana's hand in
mine, I squeezed it till it hurt. On
the other side I felt a significant
pressure from Miss Caporale's
fingers, as though asking me:
"Is that better?"
I returned her clasp with enthusiasm,
shaking her hand to signify more or
less clearly:
"Anything you wish, now!"
"Silence!" suggested Anselmo in a
solemn voice.
And who had spoken? One, two, three,
four! The table! Four taps!
"Darkness!"
I was sure I had heard nothing!
But, the moment the lantern was
extinguished, something happened
which suddenly upset all my
calculations. Miss Caporale uttered
a shrill blood-curdling scream which
brought us all up, standing in our
places.
"Light! Light!"
What had taken place? As Bernaldez
scratched a match, we could see that
Miss Caporale's nose and mouth were
bleeding. She had received a
tremendous blow in the face!
Pepita and Signora Candida shrank
back from the table. Papiano too got
up to light the red lantern again.
Adriana loosened her hand from mine.
Bernaldez stood at his chair, the
burnt match in his fingers, smiling
in astonishment and incredulity. Old
Anselmo was muttering in utter
consternation:
"So he struck her? As hard as that?
What can it mean? What can it mean?"
In one way I was as puzzled as he.
Why had he given her that blow? So
that change in the mystic circle had
not been prearranged between them?
The piano teacher had rebelled
against Papiano--with these
results? Well, what next?
Miss Caporale had pushed her chair
back from the table, and stood there
pressing her handkerchief to her
bleeding lips. She was refusing to
go on with the seance. And Pepita
Pantogada was chattering in her
quaint Italo-Spanish:
"_Gracie, segnori, gracie! Acqui se
dano cachetas_! Thanks, thanks,
this is too rough for me!"
"But no, please!" exclaimed Paleari.
"Why, ladies and gentlemen, this is
the most amazing occurrence in the
history of spiritualism! We must get
to the bottom of it. We must ask him
to explain!"
"Ask Max?" I queried.
"Max, of course!" said he. "Why
Silvia, do you suppose you
misunderstood him in rearranging the
chain?"
"I am sure she did, I'm sure she
did!" said Bernaldez, laughing.
"What do you think, Mr. Meis?" asked
Paleari of me, not liking
Bernaldez's attitude at all.
"Why, I should think that was a good
guess," I evaded.
But Silvia Caporale kept shaking her
head with decision.
"So you say no," Paleari resumed.
"Well, how do you account for it?
Max losing his head! It's beyond me!
What do you say, Terenzio?"
Terenzio, secure there in the faint
light from the red lantern, was not
saying anything. He just shrugged
his shoulders.
"Please, Miss Caporale." I now
ventured. "Suppose we do as Mr.
Paleari suggests. Let's ask Max all
about it; and then if he proves too
frisky to work with tonight, we'll
call it all off. You agree, Mr.
Papiano?"
"Certainly," he answered. "Ask him
anything you want! I'm willing!"
"But I'm not--in this condition!"
said the Caporale woman sharply,
turning frankly upon him.
"Why put it up to me?" said Papiano.
"If you want to stop..."
"Yes, let's!" ventured Adriana.
But old Anselmo raised his voice in
ridicule:
"'Yes, let's! Did you ever see such
a stupid! Say, I'm ashamed of you,
Adriana! Well... now, Silvia, look,
I leave it to you.... You have been
communicating with Max all these
years, and you know very well that
this is the first time he ever....
Oh, I say, it would be a shame to
spoil it... too bad he hurt you so,
but the phenomena were beginning to
develop this evening with unusual
energy..."
"Even too much energy!" tittered
Bernaldez with a laugh that proved
contagious.
"But please," I added in the same
spirit, "if there are to be any more
punches I hope they'll miss this eye
of mine!..."
"_E mio también_!" chirped Miss
Pepita.
"Back to the table then," ordered
Papiano resolutely. "Let's follow
Mr. Meis's suggestion, and ask an
explanation. If things get too
exciting, we'll stop. To your seats,
ladies!"
And he blew out the lantern.
This time I found Adriana's hand
cold and trembling. Respectful of
her state of mind, I did not clutch
her fingers with the same gay
fervor, but pressed them gently and
firmly to express a mood of earnest
tranquillity. It was probable that
Papiano had repented of his burst of
temper and would change his tack; in
any event we could rely upon a
breathing space before Max became
interested in Adriana or me. "If he
tries anything of the kind on this
girl," I said to myself, "it will be
all over before he knows it!"
Anselmo was by this time in
conversation with Max whom he
addressed as naturally as though he
were talking to a living person
present in the room:
"Are you with us, Max?"
Two barely audible taps on the
table: he was.
"And how is this, Max?" the old man
asked in a tone of mild reproach.
"You've always been so kind and
courteous hitherto! Why were you so
rough with poor Miss Caporale? Are
you willing to tell us?"
The table moved this way and that,
for a second or more; then--three
solid raps in the middle of it! No!
Max would not discuss the question!
"Well, we won't insist!" Anselmo
continued. "I suppose you're put out
over something, eh? Yes! I can see
you're not in a happy frame of mind.
I know you, Max, understand! I know
you! But perhaps you'll be willing
to say whether you like the chain
arranged as it is?"
Paleari had hardly finished the
question when I felt two light quick
touches, as though from the tip of a
finger, in the center of my
forehead.
"Yes!" I called, declaring the
"manifestation," and squeezing
Adriana's hand.
I must confess that this
"tiptological" touch gave me, at the
moment, an uncanny shiver. I was
sure that had I been able to raise
my hand at once I would have caught
Papiano's; but at the same time, I
had not been expecting such a thing,
and the lightness and precision of
the taps amazed me. But meantime,
why had Papiano picked me out for
this revelation of his tolerance!
Was he trying to make me feel easier
in my mind, or was it rather a
provocation and a challenge:---"I'll
show you whether I like it!"?
Top
of page
"That's nice of you, Max!" Anselmo
encouraged; and I, annotating
mentally: "Yes, mighty nice of you...
but if you go one step too far...!"
"Now," the old man began again, "you
would make us all happy if you would
give some sign of your good will
toward us!"
Five taps on the table: talk!
"What does that mean?" asked Signora
Candida nervously.
"It means we must talk!" Papiano
exclaimed quietly.
And Pepita:
"Talk? To whom I talk?"
"To anybody--the person next to you,
for example!"
"Loud?"
"Out loud!" volunteered Anselmo. "This
means, Mr. Meis, that Max is working
up something interesting for us.
Perhaps he will show a light or
something. So talk, talk!"
As for talking, I had, through my
finger tips, been carrying on a
long, tender and yet impulsive
conversation with Adriana and now,
frankly, there was not a thought in
my brain. A thrilling intoxication
had come over me as I twined her
fingers around mine, noting with mad
delight the anxiety she betrayed to
express her own feelings with a
reserve in keeping with the timid
gentle candor of her innocence. But
now, while our hands were continuing
this intense communion, I suddenly
became aware of something that was
rubbing against the rung between the
rear legs of my chair.
A creepy sensation ran over me.
Papiano could not possibly reach
that far with his toes, let alone
the ob-stacles the front of the
chair would have given him. Had he
risen from the table and gone around
behind me? But in such a case,
Signora Candida, unless she were a
complete fool, would have announced
the breaking of the chain. Before
giving warning of the "manifestation"
I wanted to understand it myself;
but then I thought that since I had
consented to the seance only to be
near Adriana, it was only fair play
to follow the rules. Without delay,
and to avoid irritating Papiano
unnecessarily, I declared what I was
hearing.
"Really!" exclaimed Papiano from his
place, in an astonishment which I
thought was sincere.
And Miss Caporale evinced just as
much surprise.
"A rubbing?" asked old Anselmo, with
the deepest concern. "What is it
like? What is it like?"
"Yes, a rubbing!" I answered almost
angrily. "And it's still there! It's
as though... an animal... a dog...
were scratching himself against my
chair."
A loud burst of laughter greeted
this guess of mine.
"Why, it's Minerva, it's Minerva!"
cried Pepita Panto gada.
"And who is Minerva?" I asked in
some mortification.
"Why, my naughty, naughty little
doggie!" she continued, almost in
convulsions. "_La viechia mia,
Segnore, die se grata asi soto tute
le sedie_! She scratches that way
every time she gets near a chair!
_Con permisso! Con permisso_!"
The chain was broken. Bernaldez
lighted a match, while Pepita came
and fished Minerva out from under my
chair to cuddle her in her arms.
"Now I understand why Max was so out
of humor this evening," old Anselmo
commented with some heat. "There
has been a bit too much frivolity,
if I may say so!"
* * *
Nor, except possibly for Anselmo,
was there much less on succeeding
evenings, so far as spiritualism was
concerned, that is.
There is no telling all the tricks
that Max performed there in the
dark. The table writhed, twisted,
creaked, tapping and tapping, now
lightly, now noisily. There were
taps on the seats of our chairs, on
the furniture here and there about
the room. You could hear the rasping
of finger nails on wood, and the
swish of garments in the air.
Strange phosphorescent lights would
flash and go wandering off through
the air, like will 'o the wisps
astray. The curtain would bulge and
swell, brightening at times with a
weird supernatural glow. A small
smoking-stand went cavorting around
the room, finally leaping over our
heads and coming to rest on the
table in front of us. The guitar
seemed to have grown wings; for it
took flight from the chest on which
it lay and hung in the air above us,
all its strings vibrating. But I
thought that Max showed his musical
talents best with the bells on the
dog collar, which at one point
jumped and buckled itself around
Miss Caporale's neck. Old Anselmo
interpreted that as a very witty
demonstration of affection on Max's
part; though the lady herself did
not seem to relish the joke at all.
Evidently Scipione, Papiano's
brother, had come on the scene under
cover of the dark and was doing all
these things on detailed
instructions from Terenzio. The
young fellow was really an
epileptic; but he was not so much of
a dunce as his brother and even
himself wanted people to think. I
suppose by long practice at the same
tricks he felt quite at home in the
dark. To tell the truth, I never
went to the trouble to find out
exactly how well he executed the
hoaxes he rehearsed beforehand with
Papiano and the Caporale woman. For
the four of us--Bernaldez and
Pepita, Adriana and I--were
satisfied so long as he kept Anselmo
and the governess interested; and
that he seemed to be doing
marvelously, though neither of them,
really, was very hard to please. Old
Anselmo just bubbled over with joy,
chortling and gurgling like some
child at a puppet show. His
comments, indeed, sometimes gave me
a most uncomfortable feeling of
mortification, not only because it
was painful to see a man, of his
intelligence after all, evince such
extremes of gullibility, but because
Adriana made me understand more than
once that it hurt her conscience to
be owing her own joy to her father's
making a fool of himself.
This scruple came to our minds
occasionally to interrupt our
blissfulness; and it was the only
thing to disturb us. Nevertheless,
knowing Papiano as I did, I should
have been on my mettle: I should
have suspected that if he consented
to leave Adriana to me, and,
contrary to my guess, never allowed
Max to interfere with us but rather
made the "spirit" play our game, he
must be having some other scheme in
mind. I was so completely carried
away, however, by the delights of my
love-making in the security of that
darkened room, that I am sure the
idea that anything might be wrong
never once occurred to me.
"No!" screamed Pepita at a certain
point. And Anselmo:
"Speak up, signorina! What was it?
What did you feel?"
Bernaldez also urged the girl to
speak.
"Why," she said, "a touch, here, on
my cheek!"
"Fingers?" asked Paleari. "A light
one, I'll warrant--cold, furtive,
but light, very light! Oh, I can
tell you, Max has a fine way with
women! What do you say, Max? Won't
you just pat the lady again?"
"O-oo-oo-oo," screamed Pepita, but
laughing this time. "Aquí està! Aquí
està!"
"What do you mean?" asked Anselmo,
not understanding the Spanish words.
"He's doing it again... he's
tickling me!"
"And now a kiss, eh, Max?" proposed
Paleari.
"No, no, no!" screamed Pepita.
But a loud sonorous smack echoed
from her cheek.
Almost involuntarily, I raised
Adriana's hand to my lips; and that
caress quite maddened me. I bent
over and sought her lips.
Thus it was that the first kiss, a
long, a silent, an impassioned kiss
was exchanged between us.
And now, immediately--what was it
that took place? For some moments,
in a bewilderment of shame and
confusion, I was too much flurried
to grasp the cause of the sudden
disorder. Had I been detected
spooning?
Every one was shouting and
screaming. One match was struck, and
then a second! A candle was
lighted--the candle inside the red
lantern.
All the people present had jumped to
their feet. Why? Why?
And now, there, in the lighted room,
in plain view of us all, a blow, a
heavy blow, as from the fist of an
invisible giant, landed squarely in
the middle of the table!
We all paled with fright, Papiano
and the Caporale woman more
terrified than anyone else.
"Scipione! Scipione!" called
Terenzio.
There the boy was! He had fallen to
the floor in one of his attacks, and
was gasping strangely for breath.
"Keep your seats!" cried Anselmo.
"He's in the trance, too! Oh, look,
look! The table! The table! It's
moving! A levitation! A real
levitation! Good for you, Max! Good
for you!"
And the table, in fact, without
anyone's touching it, rose four
inches or more and fell back, with a
thud, heavily, to the floor.
Silvia Caporale, pale as death,
trembling, terror-stricken, shrank
against me, hiding her face in my
coat. Pepita and the governess ran
shrieking from the room. Paleari
was beside himself:
"Sit down, sit down! For heaven's
sake, people! Don't break the
chain! We're coming to the best of
it. Max! Max!"
"Max, nonsense!" exclaimed Papiano,
recovering finally from the
consternation that had frozen him in
his tracks to the floor, running
over to his brother to bring him to.
All thought of the kiss I had stolen
had been momentarily driven from my
mind by the strange and
unexplainable manifestation that I
had witnessed. If, as Paleari
contended, the mysterious power,
that had worked there in that
lighted room under my very eyes,
came from an invisible spirit, that
spirit was surely not Max: the
expression of the faces of Papiano
and Silvia Caporale were good proof
of that. Max was a hoax of their
invention. Who had acted then? Who
had struck that terrific blow on the
table?
All the things that I had read in
old Paleari's books now came
crowding in a tumult into my mind.
With a shiver I thought of the poor
unknown man who had drowned himself
back there in the Miragno Flume, a
man whom I had robbed of the tears
of his people and of the sorrow of
the strangers who found him.
"It might be he," I said to myself.
"Supposing he had come here to seek
me out, and get his revenge by
revealing everything!..."
Paleari, meantime, the only one of
us neither surprised nor alarmed by
what had occurred, stood there
unable to understand how such a
commonplace phenomenon as the
levitation of a table had been able
to affect us so deeply after all the
other marvels we had seen. The mere
fact that the room was lighted made
little difference to him. What
puzzled him rather was the presence
in the room of the boy, Scipione,
who he had supposed was in bed.
"I am surprised because ordinarily
he takes no interest in our
researches. I imagine our secret
gatherings roused his curiosity, so
he crept in to see what we were
doing, and then--slam bang! Because
it is well established, Mr. Meis,
that the more unusual manifestations
of mediumism derive from epileptic,
cataleptic and hysterical neurosis.
Max gets the energy he uses from all
of us--and it takes quite a little
to produce the phenomena we have
seen. There is no doubt on this
point. Don't you feel as though you
had lost something?"
"Not as yet, to tell the truth!" I
answered.
Till dawn almost, I tossed uneasily
on my bed, thinking of the
unfortunate man who lay buried in
the Miragno cemetery under my name.
Who was he? Where had he come from?
Why had he killed himself? Perhaps
he had hoped his unhappy end would
become known--as an expiation, a
restitution, in a sense! And I had
profited by it all!
More than once, I confess, as I lay
there in the dark, a chill of cold
terror ran up and down my body. It
had all taken place right there, in
my room--the seance, that blow on
the table, the levitation. Others
had seen as I had! Was he
responsible? Might he not be
standing there, invisible, at my
bedside? I would hold my breath and
listen to catch any sound in the
room. Finally I fell into an uneasy
slumber made horrible by frightful
dreams.
When morning came, I drew my
curtains and opened my windows wide
to the full sunlight.
Top of page